Vocal Plugin Chain Set Up Example 1
Quite often people ask what plugins I use on vocals and in what order. To help answer this question I will periodically post pictures of the different vocal chain set ups I use. In this particular example I was after a ‘breathy’ and ‘airy’ vocal sound for a middle 8 part on a dance track that was ‘dreamier’ than the rest of the the vocal.
Compressor – First In The Chain
I pretty much always compress the vocal first unless it needs a little of the low end rolling off, in which case I put an equalizer before the compressor solely to roll off frequencies below 100hz. This ensures any unwanted rumble or bassy thumps are removed and also ensures that the unwanted low end doesn’t trigger the compressor. In the first picture you can see that I’m using a little compression to smooth out the vocal level. The threshold is set to kick in only on the loudest parts of the vocal.
Equalizer – Second In The Chain
After the compressor I usually insert an equalizer. In this particular example I just needed to add a little ‘air’ to the vocal however in most cases I would be doing more significant vocal eq’ing here.
Flanger/Chorus – Third In The Chain
After the equalizer I’ve inserted a flanger/chorus plugin to give the vocal a doubling effect and to add some stereo width to it. I would usually add effect plugins into the chain via an auxilliary channel and send the vocal to it but in this instance I’ve inserted it directly onto the track after the eq plugin.
Delay/Echo – Fourth In The Chain
Last in this particular set up I’ve added a delay to give the vocal some movemet and depth. Again, I would usually add an effect plugin via an auxilliary channel and send to it but in this instance I’ve inserted it directly after the doubling effect.
There are numerous ways to set up your vocal plugin chain and we will explore many more in the near future. In the meantime, if you have any questions or comments please feel free to leave them below.