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	<title>Record, Mix &#38; Master &#187; dynamics</title>
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	<link>http://recordmixandmaster.com</link>
	<description>recording and mixing music - tips, tutorials, advice, videos</description>
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		<title>Parallel Compression Explained</title>
		<link>http://recordmixandmaster.com/2011-12-parallel-compression-explained</link>
		<comments>http://recordmixandmaster.com/2011-12-parallel-compression-explained#comments</comments>
		<pubDate>Fri, 02 Dec 2011 18:14:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[logic]]></category>
		<category><![CDATA[Mix]]></category>
		<category><![CDATA[parallel compression]]></category>
		<category><![CDATA[pro tools]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=1804</guid>
		<description><![CDATA[//]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2011-12-parallel-compression-explained/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Top Tips For Mixing Bass</title>
		<link>http://recordmixandmaster.com/2011-09-top-tips-for-mixing-bass</link>
		<comments>http://recordmixandmaster.com/2011-09-top-tips-for-mixing-bass#comments</comments>
		<pubDate>Fri, 23 Sep 2011 13:22:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[bass guitar]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[synth bass]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=1791</guid>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Multiband Compression &#8211; Waves Linear Multiband Tutorial Pt 2</title>
		<link>http://recordmixandmaster.com/2011-09-multiband-compression-waves-linear-multiband-tutorial-pt-2</link>
		<comments>http://recordmixandmaster.com/2011-09-multiband-compression-waves-linear-multiband-tutorial-pt-2#comments</comments>
		<pubDate>Thu, 22 Sep 2011 18:08:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[limiter]]></category>
		<category><![CDATA[multiband compressor]]></category>
		<category><![CDATA[opto]]></category>
		<category><![CDATA[pro tools]]></category>
		<category><![CDATA[record mix and master]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=1786</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Room Acoustics Measurement Tools For PC and Mac</title>
		<link>http://recordmixandmaster.com/2010-06-room-acoustics-measurement-tools-for-pc-and-mac</link>
		<comments>http://recordmixandmaster.com/2010-06-room-acoustics-measurement-tools-for-pc-and-mac#comments</comments>
		<pubDate>Thu, 24 Jun 2010 19:54:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Master]]></category>
		<category><![CDATA[Mix]]></category>
		<category><![CDATA[Record]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[absorption]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[comb filtering]]></category>
		<category><![CDATA[diffusion]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[room modes]]></category>
		<category><![CDATA[standing waves]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[the sweet spot]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=1204</guid>
		<description><![CDATA[Essential tools to help you get an accurate sound in your home or project studio MAC AudioXplorer is a powerful sound analyzer software designed specifically for Mac OS X. AudioXplorer provides a real-time analysis window where the user can visualize the sound, spectrum and sonogram. Several real-time windows can be opened simultaneously.It also provides a static [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The 5 Most Common Questions About Music Mastering</title>
		<link>http://recordmixandmaster.com/2010-04-the-5-most-common-questions-about-music-mastering</link>
		<comments>http://recordmixandmaster.com/2010-04-the-5-most-common-questions-about-music-mastering#comments</comments>
		<pubDate>Wed, 21 Apr 2010 19:40:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Master]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[limiter]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mastering engineer]]></category>
		<category><![CDATA[mastering studio]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[online mastering]]></category>
		<category><![CDATA[signal]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=909</guid>
		<description><![CDATA[The 5 Most Common Questions About Music Mastering By: Hans Klein Music mastering is an essential part of every hit record. Yet, few new (and even some &#8220;established&#8221;) musicians have a good understanding of what mastering is and why they need it. This often leads to many selecting the wrong mastering studio&#8230; and making many [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>How To Place Microphones</title>
		<link>http://recordmixandmaster.com/2010-04-how-to-place-microphones</link>
		<comments>http://recordmixandmaster.com/2010-04-how-to-place-microphones#comments</comments>
		<pubDate>Mon, 19 Apr 2010 19:53:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Record]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[How To Place Microphones]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[microphone placement]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[record mix and master]]></category>
		<category><![CDATA[signal]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=957</guid>
		<description><![CDATA[How To Place Microphones By: Marvin J Markus While it&#8217;s definitely important to use quality mics and good preamps, I think it&#8217;s far more important that you know how to properly place your microphones to get the best sound. Spot, distant, ambient, stereo, and combined miking are the five choices you have to choose from. [...]]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2010-04-how-to-place-microphones/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Importance of Objective Music Mastering to Get That Hit Sound</title>
		<link>http://recordmixandmaster.com/2010-04-the-importance-of-objective-music-mastering-to-get-that-hit-sound</link>
		<comments>http://recordmixandmaster.com/2010-04-the-importance-of-objective-music-mastering-to-get-that-hit-sound#comments</comments>
		<pubDate>Thu, 15 Apr 2010 12:58:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Master]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[limiter]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[mono]]></category>
		<category><![CDATA[record mix and master]]></category>
		<category><![CDATA[record mix master]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[signal]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=915</guid>
		<description><![CDATA[The Importance of Objective Music Mastering to Get That Hit Sound By: Hans Klein Passion is a key ingredient to creating good music. Without it, the artist is never going to put his or her full emotion into the music. However, this often causes a huge problem. After the music has been recorded and mixed, [...]]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2010-04-the-importance-of-objective-music-mastering-to-get-that-hit-sound/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Recording Tips: How to Make Better Mixes</title>
		<link>http://recordmixandmaster.com/2010-04-recording-tips-how-to-make-better-mixes</link>
		<comments>http://recordmixandmaster.com/2010-04-recording-tips-how-to-make-better-mixes#comments</comments>
		<pubDate>Wed, 14 Apr 2010 20:57:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Record]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[plugin]]></category>
		<category><![CDATA[record mix and master]]></category>
		<category><![CDATA[record mix master]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=895</guid>
		<description><![CDATA[Recording Tips: How to Make Better Mixes By: Dan Atkinson Recording and mixing audio is truly an art form unto itself. Like playing bass, it’s the type of thing most people can pickup quickly and without much effort. Getting good at it can take years, however. I’ve been recording in my home studio since 1995. [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Five Things You Can do to Improve Your Mix</title>
		<link>http://recordmixandmaster.com/2010-03-five-things-you-can-do-to-improve-your-mix</link>
		<comments>http://recordmixandmaster.com/2010-03-five-things-you-can-do-to-improve-your-mix#comments</comments>
		<pubDate>Fri, 19 Mar 2010 19:59:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Mix]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[instruments]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[record mix and master]]></category>
		<category><![CDATA[record mix master]]></category>
		<category><![CDATA[speaker]]></category>
		<category><![CDATA[vocal]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=690</guid>
		<description><![CDATA[Five Things You Can do to Improve your Mix 1. Make sure your audio tracks are free from, hiss, hums, crackles, pops or any other unwanted noise. Spend some time taking care of any non-creative editing tasks so that the mixing process is creative and musical. Seperating creative and non-creative tasks helps you stay focused [...]]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2010-03-five-things-you-can-do-to-improve-your-mix/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>On a Compressor, What is Knee?</title>
		<link>http://recordmixandmaster.com/2010-02-on-a-compressor-what-is-knee</link>
		<comments>http://recordmixandmaster.com/2010-02-on-a-compressor-what-is-knee#comments</comments>
		<pubDate>Thu, 18 Feb 2010 16:40:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Master]]></category>
		<category><![CDATA[Mix]]></category>
		<category><![CDATA[Record]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[knee]]></category>
		<category><![CDATA[logic]]></category>
		<category><![CDATA[plugin]]></category>
		<category><![CDATA[pro tools]]></category>
		<category><![CDATA[reason]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=475</guid>
		<description><![CDATA[On a Compressor, What is Knee? Some compressors allow you to control the knee setting. There are two types of knee setting, hard and soft. Hard knee compression reduces the gain abruptly when the signal exceeds the threshold. Hard knee is the default setting on most compressors and is good for harder sounds like drums. [...]]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2010-02-on-a-compressor-what-is-knee/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
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