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	<title>Record, Mix &#38; Master &#187; equalize</title>
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	<link>http://recordmixandmaster.com</link>
	<description>recording and mixing music - tips, tutorials, advice, videos</description>
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		<title>Top Tips For Mixing Bass</title>
		<link>http://recordmixandmaster.com/2011-09-top-tips-for-mixing-bass</link>
		<comments>http://recordmixandmaster.com/2011-09-top-tips-for-mixing-bass#comments</comments>
		<pubDate>Fri, 23 Sep 2011 13:22:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[bass guitar]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[synth bass]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=1791</guid>
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		<slash:comments>0</slash:comments>
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		<title>Recording Guitars &#8211; Interview with Diamond Duggal from Swami</title>
		<link>http://recordmixandmaster.com/2011-08-recording-guitars-interview-with-diamond-duggal-from-swami</link>
		<comments>http://recordmixandmaster.com/2011-08-recording-guitars-interview-with-diamond-duggal-from-swami#comments</comments>
		<pubDate>Thu, 04 Aug 2011 12:56:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[condenser]]></category>
		<category><![CDATA[desi rock]]></category>
		<category><![CDATA[diamond duggal]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[mono]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[plugin]]></category>
		<category><![CDATA[pro tools]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[swami]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=1767</guid>
		<description><![CDATA[Part 3 of 3 video interviews with Diamond Duggal from the band Swami. Diamond talks about recording guitars for the new album &#8216;Upgrade&#8217;.]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2011-08-recording-guitars-interview-with-diamond-duggal-from-swami/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>&#8220;In The Box&#8221; Mastering Tutorial with Pro Tools 9 and Waves Plug-ins</title>
		<link>http://recordmixandmaster.com/2011-01-in-the-box-mastering-tutorial-with-pro-tools-9-and-waves-plug-ins</link>
		<comments>http://recordmixandmaster.com/2011-01-in-the-box-mastering-tutorial-with-pro-tools-9-and-waves-plug-ins#comments</comments>
		<pubDate>Sun, 23 Jan 2011 10:11:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[multiband compressor]]></category>
		<category><![CDATA[plugins]]></category>
		<category><![CDATA[pro tools 9]]></category>
		<category><![CDATA[waves]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=1618</guid>
		<description><![CDATA[&#8220;In The Box&#8221; Mastering Tutorial with Pro Tools 9 and Waves Plug-ins //]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2011-01-in-the-box-mastering-tutorial-with-pro-tools-9-and-waves-plug-ins/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Room Acoustics Measurement Tools For PC and Mac</title>
		<link>http://recordmixandmaster.com/2010-06-room-acoustics-measurement-tools-for-pc-and-mac</link>
		<comments>http://recordmixandmaster.com/2010-06-room-acoustics-measurement-tools-for-pc-and-mac#comments</comments>
		<pubDate>Thu, 24 Jun 2010 19:54:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Master]]></category>
		<category><![CDATA[Mix]]></category>
		<category><![CDATA[Record]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[absorption]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[comb filtering]]></category>
		<category><![CDATA[diffusion]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[room modes]]></category>
		<category><![CDATA[standing waves]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[the sweet spot]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=1204</guid>
		<description><![CDATA[Essential tools to help you get an accurate sound in your home or project studio MAC AudioXplorer is a powerful sound analyzer software designed specifically for Mac OS X. AudioXplorer provides a real-time analysis window where the user can visualize the sound, spectrum and sonogram. Several real-time windows can be opened simultaneously.It also provides a static [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The 5 Most Common Questions About Music Mastering</title>
		<link>http://recordmixandmaster.com/2010-04-the-5-most-common-questions-about-music-mastering</link>
		<comments>http://recordmixandmaster.com/2010-04-the-5-most-common-questions-about-music-mastering#comments</comments>
		<pubDate>Wed, 21 Apr 2010 19:40:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Master]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[limiter]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mastering engineer]]></category>
		<category><![CDATA[mastering studio]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[online mastering]]></category>
		<category><![CDATA[signal]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=909</guid>
		<description><![CDATA[The 5 Most Common Questions About Music Mastering By: Hans Klein Music mastering is an essential part of every hit record. Yet, few new (and even some &#8220;established&#8221;) musicians have a good understanding of what mastering is and why they need it. This often leads to many selecting the wrong mastering studio&#8230; and making many [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>How To Place Microphones</title>
		<link>http://recordmixandmaster.com/2010-04-how-to-place-microphones</link>
		<comments>http://recordmixandmaster.com/2010-04-how-to-place-microphones#comments</comments>
		<pubDate>Mon, 19 Apr 2010 19:53:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Record]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[How To Place Microphones]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[microphone placement]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[record mix and master]]></category>
		<category><![CDATA[signal]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=957</guid>
		<description><![CDATA[How To Place Microphones By: Marvin J Markus While it&#8217;s definitely important to use quality mics and good preamps, I think it&#8217;s far more important that you know how to properly place your microphones to get the best sound. Spot, distant, ambient, stereo, and combined miking are the five choices you have to choose from. [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Importance of Objective Music Mastering to Get That Hit Sound</title>
		<link>http://recordmixandmaster.com/2010-04-the-importance-of-objective-music-mastering-to-get-that-hit-sound</link>
		<comments>http://recordmixandmaster.com/2010-04-the-importance-of-objective-music-mastering-to-get-that-hit-sound#comments</comments>
		<pubDate>Thu, 15 Apr 2010 12:58:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Master]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[limiter]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[mono]]></category>
		<category><![CDATA[record mix and master]]></category>
		<category><![CDATA[record mix master]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[signal]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=915</guid>
		<description><![CDATA[The Importance of Objective Music Mastering to Get That Hit Sound By: Hans Klein Passion is a key ingredient to creating good music. Without it, the artist is never going to put his or her full emotion into the music. However, this often causes a huge problem. After the music has been recorded and mixed, [...]]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2010-04-the-importance-of-objective-music-mastering-to-get-that-hit-sound/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Recording Tips: How to Make Better Mixes</title>
		<link>http://recordmixandmaster.com/2010-04-recording-tips-how-to-make-better-mixes</link>
		<comments>http://recordmixandmaster.com/2010-04-recording-tips-how-to-make-better-mixes#comments</comments>
		<pubDate>Wed, 14 Apr 2010 20:57:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Record]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[plugin]]></category>
		<category><![CDATA[record mix and master]]></category>
		<category><![CDATA[record mix master]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=895</guid>
		<description><![CDATA[Recording Tips: How to Make Better Mixes By: Dan Atkinson Recording and mixing audio is truly an art form unto itself. Like playing bass, it’s the type of thing most people can pickup quickly and without much effort. Getting good at it can take years, however. I’ve been recording in my home studio since 1995. [...]]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2010-04-recording-tips-how-to-make-better-mixes/feed</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<item>
		<title>What is a De-esser?</title>
		<link>http://recordmixandmaster.com/2010-02-what-is-a-de-esser</link>
		<comments>http://recordmixandmaster.com/2010-02-what-is-a-de-esser#comments</comments>
		<pubDate>Wed, 10 Feb 2010 20:53:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Mix]]></category>
		<category><![CDATA[Record]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[compress]]></category>
		<category><![CDATA[de-ess]]></category>
		<category><![CDATA[deesser]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[sibilance]]></category>
		<category><![CDATA[sidechain]]></category>
		<category><![CDATA[vocal]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=305</guid>
		<description><![CDATA[De-essers De-essing is the method of reducing the loudness of frequencies in vocal recordings that cause spitting or piercing when an “ess or shh” sound is made. This is called sibilance. Sibilance can also occur when a “t” sound is made. It is an unpleasant sound and can spoil an otherwise good vocal recording. Sibilance [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Mix Like A Pro &#8211; Monitor in Mono</title>
		<link>http://recordmixandmaster.com/2010-02-mix-like-a-pro-monitor-in-mono</link>
		<comments>http://recordmixandmaster.com/2010-02-mix-like-a-pro-monitor-in-mono#comments</comments>
		<pubDate>Sat, 06 Feb 2010 09:51:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Mix]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[balance]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[instruments]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[mono]]></category>
		<category><![CDATA[pan]]></category>
		<category><![CDATA[speaker]]></category>
		<category><![CDATA[stereo]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=105</guid>
		<description><![CDATA[Why Monitor in Mono? In many professional studios you will find a single speaker (usually Auratone or similar) located between the left and right nearfield monitors. This is used for monitoring the mix in mono. Many professional mix engineers monitor quietly in mono for two main reasons: It is much easier to judge the relative [...]]]></description>
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		<slash:comments>0</slash:comments>
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