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	<title>Record, Mix &#38; Master &#187; mixing</title>
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	<link>http://recordmixandmaster.com</link>
	<description>recording and mixing music - tips, tutorials, advice, videos</description>
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		<title>Mixing Reverb</title>
		<link>http://recordmixandmaster.com/2012-01-mixing-reverb</link>
		<comments>http://recordmixandmaster.com/2012-01-mixing-reverb#comments</comments>
		<pubDate>Fri, 27 Jan 2012 23:48:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[cubase]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[logic]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[prop tools]]></category>
		<category><![CDATA[reason]]></category>
		<category><![CDATA[remix]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[song]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=1810</guid>
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		<slash:comments>0</slash:comments>
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		<title>Top Tips For Mixing Bass</title>
		<link>http://recordmixandmaster.com/2011-09-top-tips-for-mixing-bass</link>
		<comments>http://recordmixandmaster.com/2011-09-top-tips-for-mixing-bass#comments</comments>
		<pubDate>Fri, 23 Sep 2011 13:22:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[bass guitar]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[synth bass]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=1791</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Recording Guitars &#8211; Interview with Diamond Duggal from Swami</title>
		<link>http://recordmixandmaster.com/2011-08-recording-guitars-interview-with-diamond-duggal-from-swami</link>
		<comments>http://recordmixandmaster.com/2011-08-recording-guitars-interview-with-diamond-duggal-from-swami#comments</comments>
		<pubDate>Thu, 04 Aug 2011 12:56:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Tutorials]]></category>
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		<category><![CDATA[compressor]]></category>
		<category><![CDATA[condenser]]></category>
		<category><![CDATA[desi rock]]></category>
		<category><![CDATA[diamond duggal]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[mono]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[plugin]]></category>
		<category><![CDATA[pro tools]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[swami]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=1767</guid>
		<description><![CDATA[Part 3 of 3 video interviews with Diamond Duggal from the band Swami. Diamond talks about recording guitars for the new album &#8216;Upgrade&#8217;.]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2011-08-recording-guitars-interview-with-diamond-duggal-from-swami/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Recording Vocals &#8211; Interview with Diamond Duggal from Swami</title>
		<link>http://recordmixandmaster.com/2011-06-recording-vocals-interview-with-diamond-duggal-from-swami</link>
		<comments>http://recordmixandmaster.com/2011-06-recording-vocals-interview-with-diamond-duggal-from-swami#comments</comments>
		<pubDate>Fri, 10 Jun 2011 16:01:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[daw]]></category>
		<category><![CDATA[diamond duggal]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[mic technique]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[neumann]]></category>
		<category><![CDATA[pop shield]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[s-endz]]></category>
		<category><![CDATA[singer]]></category>
		<category><![CDATA[sups]]></category>
		<category><![CDATA[swami]]></category>
		<category><![CDATA[u47]]></category>
		<category><![CDATA[vocals]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=1718</guid>
		<description><![CDATA[]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2011-06-recording-vocals-interview-with-diamond-duggal-from-swami/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Acoustic Treatment in Home and Project Studios</title>
		<link>http://recordmixandmaster.com/2010-04-acoustic-treatment-in-home-and-project-studios</link>
		<comments>http://recordmixandmaster.com/2010-04-acoustic-treatment-in-home-and-project-studios#comments</comments>
		<pubDate>Tue, 27 Apr 2010 13:10:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Master]]></category>
		<category><![CDATA[Mix]]></category>
		<category><![CDATA[Record]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[absorption]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[bass trap]]></category>
		<category><![CDATA[broadband bass absorption]]></category>
		<category><![CDATA[comb filtering]]></category>
		<category><![CDATA[diffusion]]></category>
		<category><![CDATA[diffusor]]></category>
		<category><![CDATA[early reflection]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[low ceiling]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[project studio]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[reflection]]></category>
		<category><![CDATA[reflection free zone]]></category>
		<category><![CDATA[RFZ]]></category>
		<category><![CDATA[room modes]]></category>
		<category><![CDATA[small room]]></category>
		<category><![CDATA[standing waves]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=132</guid>
		<description><![CDATA[Acoustic Treatment in Home and Project Studios by Simon Duggal In critical listening environments such as a recording, mixing and mastering studios, it is imperitive that the sound from the speakers is true and accurate. In an untreated room reflections or echos off the walls, ceiling, floor and furniture can arrive at the ear very [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The 5 Most Common Questions About Music Mastering</title>
		<link>http://recordmixandmaster.com/2010-04-the-5-most-common-questions-about-music-mastering</link>
		<comments>http://recordmixandmaster.com/2010-04-the-5-most-common-questions-about-music-mastering#comments</comments>
		<pubDate>Wed, 21 Apr 2010 19:40:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Master]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[limiter]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mastering engineer]]></category>
		<category><![CDATA[mastering studio]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[online mastering]]></category>
		<category><![CDATA[signal]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=909</guid>
		<description><![CDATA[The 5 Most Common Questions About Music Mastering By: Hans Klein Music mastering is an essential part of every hit record. Yet, few new (and even some &#8220;established&#8221;) musicians have a good understanding of what mastering is and why they need it. This often leads to many selecting the wrong mastering studio&#8230; and making many [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>How To Place Microphones</title>
		<link>http://recordmixandmaster.com/2010-04-how-to-place-microphones</link>
		<comments>http://recordmixandmaster.com/2010-04-how-to-place-microphones#comments</comments>
		<pubDate>Mon, 19 Apr 2010 19:53:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Record]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[How To Place Microphones]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[microphone placement]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[record mix and master]]></category>
		<category><![CDATA[signal]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=957</guid>
		<description><![CDATA[How To Place Microphones By: Marvin J Markus While it&#8217;s definitely important to use quality mics and good preamps, I think it&#8217;s far more important that you know how to properly place your microphones to get the best sound. Spot, distant, ambient, stereo, and combined miking are the five choices you have to choose from. [...]]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2010-04-how-to-place-microphones/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Importance of Objective Music Mastering to Get That Hit Sound</title>
		<link>http://recordmixandmaster.com/2010-04-the-importance-of-objective-music-mastering-to-get-that-hit-sound</link>
		<comments>http://recordmixandmaster.com/2010-04-the-importance-of-objective-music-mastering-to-get-that-hit-sound#comments</comments>
		<pubDate>Thu, 15 Apr 2010 12:58:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Master]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[equalize]]></category>
		<category><![CDATA[frequency]]></category>
		<category><![CDATA[limiter]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[mono]]></category>
		<category><![CDATA[record mix and master]]></category>
		<category><![CDATA[record mix master]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[signal]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=915</guid>
		<description><![CDATA[The Importance of Objective Music Mastering to Get That Hit Sound By: Hans Klein Passion is a key ingredient to creating good music. Without it, the artist is never going to put his or her full emotion into the music. However, this often causes a huge problem. After the music has been recorded and mixed, [...]]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2010-04-the-importance-of-objective-music-mastering-to-get-that-hit-sound/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Recording Tips: How to Make Better Mixes</title>
		<link>http://recordmixandmaster.com/2010-04-recording-tips-how-to-make-better-mixes</link>
		<comments>http://recordmixandmaster.com/2010-04-recording-tips-how-to-make-better-mixes#comments</comments>
		<pubDate>Wed, 14 Apr 2010 20:57:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Record]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[dynamics]]></category>
		<category><![CDATA[effects]]></category>
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		<category><![CDATA[record mix master]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sound]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=895</guid>
		<description><![CDATA[Recording Tips: How to Make Better Mixes By: Dan Atkinson Recording and mixing audio is truly an art form unto itself. Like playing bass, it’s the type of thing most people can pickup quickly and without much effort. Getting good at it can take years, however. I’ve been recording in my home studio since 1995. [...]]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2010-04-recording-tips-how-to-make-better-mixes/feed</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<item>
		<title>The Sweet Spot &#8211; Nearfield Monitor Placement</title>
		<link>http://recordmixandmaster.com/2010-03-the-sweet-spot-perfect-speaker-placement</link>
		<comments>http://recordmixandmaster.com/2010-03-the-sweet-spot-perfect-speaker-placement#comments</comments>
		<pubDate>Sat, 20 Mar 2010 16:26:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Master]]></category>
		<category><![CDATA[Mix]]></category>
		<category><![CDATA[Record]]></category>
		<category><![CDATA[Tutorials]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[monitor placement]]></category>
		<category><![CDATA[monitors]]></category>
		<category><![CDATA[nearfield]]></category>
		<category><![CDATA[record mix and master]]></category>
		<category><![CDATA[record mix master]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[speaker placement]]></category>
		<category><![CDATA[speakers]]></category>
		<category><![CDATA[the sweet spot]]></category>

		<guid isPermaLink="false">http://recordmixandmaster.com/?p=757</guid>
		<description><![CDATA[The Sweet Spot &#8211; Nearfield Monitor Placement by Simon Duggal When monitoring music in your studio what you hear is a combination of direct sound from the speakers and reflected sound  from the  rooms surfaces &#8211; walls, ceiling, floor and furniture. The balance between the direct and reflected sound depends on the size and shape [...]]]></description>
		<wfw:commentRss>http://recordmixandmaster.com/2010-03-the-sweet-spot-perfect-speaker-placement/feed</wfw:commentRss>
		<slash:comments>7</slash:comments>
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