Understanding Mixing Desks: Standard vs. Inline
Introduction
Understanding Mixing Desks: Standard vs. Inline – In the world of audio production, the heart of the studio is the mixing desk. It’s the central hub where sound from various sources is blended, processed, and routed to create the final auditory masterpiece. However, not all mixing desks are created equal. Today, we’ll delve into the nuances of standard mixing desks and their more complex counterparts, inline mixing desks, highlighting their differences and explaining the intricacies of signal routing.
What is a Mixing Desk?
A mixing desk, also known as a soundboard or audio mixer, is an essential device in audio engineering. It allows for the combination of multiple audio signals, adjusting levels, timbres, and dynamics to craft the desired sound. Whether it’s for a live concert or a studio recording, the mixing desk is a crucial tool for sound engineers.
The Inline Mixing Desk
An inline mixing desk takes the functionality of a standard mixing desk to the next level. Designed with both input and monitor sections in each channel strip, inline desks are a staple in recording studios due to their advanced routing capabilities. They enable engineers to switch between recording and mixing modes swiftly, making them highly efficient for studio workflows.
Key Differences
The main differences between a standard and an inline mixing desk include:
- Channel Strips: Standard desks have separate channels for inputs and monitors, while inline desks combine these functions within the same strip.
- Signal Routing: Inline desks offer more sophisticated routing options, perfect for studio settings where complex setups are common.
- Space Efficiency: Inline desks are space savers, integrating multiple features into each channel strip.
- Complexity: With more features come more complexity, making inline desks a bit more challenging to master.
Detailed Signal Routing in Inline Desks
Signal routing in an inline mixing desk is where things get interesting. Here’s a step-by-step breakdown:
- Mic/Line Input: Choose between a microphone or line-level source, with the option to route through a preamp for mics.
- Trim Controls: Adjust initial signal levels before processing.
- EQ Section: Shape the audio signal by manipulating frequency ranges.
- Aux Sends: Route the signal to external effects processors and back into the mix.
- Fader Assignment: Assign the signal to either a small fader for monitoring or a large fader for the main mix.
- Pan Controls: Position the signal within the stereo field.
- Bus Assignment: Group signals for collective processing or route to different outputs.
- Direct Output: Utilize direct outputs for recording individual tracks.
- Tape Returns: Bring recorded signals from a multitrack recorder back into the desk for mixing.
- Switches and Routing Options: Inline desks have switches to reroute signals within the desk, enhancing flexibility.
- VU Meters: Monitor signal levels visually.
- Mute and Solo Functions: Isolate or silence channels as needed.
Choosing the Right Desk
Selecting between a standard and an inline mixing desk boils down to the specific needs of the project. For live sound and straightforward setups, a standard desk is ideal. For studio environments that demand intricate routing and flexibility, an inline desk is the way to go.
Choosing the right mixing desk for a home studio depends on several factors, including the size of the studio, the type of music being produced, and the budget. Here are a few options that are highly recommended for home studios:
- SSL BiG SiX mixer: This mixer builds on the heritage of SSL’s legendary, large-format studio consoles, but is designed primarily for home and project studios. It offers a full 16-channel analogue mixer plus a built-in USB 24-bit/96kHz audio interface1.
- PreSonus StudioLive AR8c: This mixer provides eight analogue inputs comprising high-quality mic preamps, line-in inputs, and even RCA connections. It also has a channel which can accept Bluetooth audio connections, making it perfect for podcasting1.
- Allen & Heath ZEDi 10FX: This budget-friendly mixer bundles a 4×4 USB interface alongside GSPre boutique preamps and onboard effects for a powerful studio-ready solution1.
For smaller home studios, the Trumix MX2 or Trumix MX4 could be a good fit. They are compact and versatile, making them ideal for limited spaces2. On the other hand, if you’re looking for a mixer with more advanced features, the RCF F6X 6-Channel Studio Mixing Console or the Yamaha MG10XUF 10-Channel USB Mixer might be worth considering2.
Remember, the best mixing desk for your home studio is the one that fits your specific needs and workflow. It’s always a good idea to research and compare different models before making a decision.
Conclusion
Mixing desks are the backbone of audio production, and understanding the differences between standard and inline models is key for sound engineers. Inline mixing desks, with their complex routing options and space efficiency, offer a level of control and flexibility that can significantly enhance the recording and mixing process.
This blog post aims to provide a clear understanding of the two types of mixing desks and their applications. Whether you’re a seasoned engineer or an aspiring audio enthusiast, grasping these concepts is essential for navigating the world of professional audio production. Happy mixing!
